Showing posts with label Terry Gilliam. Show all posts
Showing posts with label Terry Gilliam. Show all posts

Friday, February 5, 2010

#381: Monty Python and the Holy Grail (1975)

Directors: Terry Gilliam & Terry Jones
Cast: Graham Chapman, John Cleese, Eric Idle ...


King Arthur is traveling across England with his squire Patsy to find the bravest of the brave to become the Knights of the Round Table, and to seek the Holy Grail at the behest of God Himself. They encounter many obstacles, including the Knights who say Ni, the enchanter named Tim, and the Killer Rabbit of Caerbannog. Along the way, they also kill a historian who was chronicling the tale of King Arthur, prompting an investigation by the British police to stop these madmen in a troupe called "Monty Python" who are acting as Arthurian figures.

You may have all been wondering why there was such a huge gap since my last post. It was because of this movie. How do you write about this film!? It's damn near impossible. I actually watched it well before it was "due" if I stuck with the daily movie. I suppose I'll just have to do my best and get on with the list.

One of the most effective gags in the film that makes it stand out in comparison to a majority of comedies to this day is its excessive use of "breaking the fourth wall", which is to say that the actors break the imaginary barrier between the show and the audience. For example, while all the knights stand in awe of the sight of Camelot, Patsy remarks that "it's only a model."

The evident low budget of the film could have been a huge setback to the film, but in the end enhanced it thanks to the production team's decision to poke fun at their own work. Rather than being taken seriously whatsoever, the team clearly had a fantastic time acting absolutely ridiculous.

And, a bit o' trivia before the actual trivia section. It seems that their is quite the rift in demographic appeal when comparing the United Kingdom to the United States in terms of Monty Python fandom. While the United Kingdom widely prefers the later Life of Brian, the United States has always ranked Holy Grail as the better of the two feature-length Monty Python films. I have to admit that I can be classified as an ignorant American, having never seen The Life of Brian. No worries - that'll be rectified within the next 200 films I see.

Fun Trivia (Stolen from IMDB):
  • Scenes such as Arthur approaching the first castle and Lancelot's running dash to Swamp Castle were filmed on Hampstead Heath, a London park beside one of the city's busiest road junctions.
  • Some major scenes scripted, but never filmed: - additional "Knights who say Ni!" scene, they intend to call themselves "the Knights of Nicky-Nicky" - additional police detective scenes - several scenes where Arthur and the knights meet "King Brian, the Wild". - After the Bridgekeeper, they come upon the Boatkeeper. "He who would cross the Sea of Fate Must answer me these questions twenty-eight!" - Arthur and his knights end up finding the Holy Grail at Harrods' department store
  • Funds earned by Pink Floyd's album "The Dark Side of the Moon" went towards funding The Holy Grail. The band were such fans of the show they would halt recording sessions just to watch "Monty Python's Flying Circus" (1969).
  • "God" is in fact a photograph of the famous 19th-century English cricketer W.G. Grace.
  • The airspeed velocity of an unladen swallow is roughly 11 meters per second, or 24 miles per hour, beating its wings 7-9 times per second rather than 43. And a 5 ounce bird cannot carry a one pound coconut.

Saturday, September 19, 2009

#465: 12 Monkeys (1995)

Director: Terry Gilliam
Cast: Bruce Willis, Madeleine Stowe & Brad Pitt

Time travel movies always provide a good time, and Twelve Monkeys is no exception. Psychologists in 1990 aren’t sure what to make of the case of James Cole. He seems to be suffering from severe mental illness, claiming that he is from the future, and that five-billion people will die from a disease in 1997. But that’s not where the curiosity lies. James Cole vanished from his locked cell while strapped into his bed.

The storytelling in this film is wonderful. The nonlinearity isn’t a hindrance at all to the film. Despite jumping through time, it’s an easy plotline to trace. Unfortunately, 14 years after the making of this film, I feel like I’ve seen every twist a time travel film can provide, so it’s also pretty easy to see where the story is taking you. Thankfully, there’s one big twist at the end that I doubt anyone could have seen coming.

In my opinion, it’s not some amazing film that you can watch over and over again and catch something new every time. But, it’s a whole lot of fun, so I’ll give it a thumb and a half.

Fun Trivia (Stolen from IMDB):

  • Terry Gilliam gave Bruce Willis a list of "Willis acting clichés" not to be used during the film, including the "steely blue eyes look".
  • Terry Gilliam was afraid that Brad Pitt wouldn't be able to pull off the nervous, rapid speech. He sent him to a speech coach but in the end he just took away Pitt's cigarettes, and Pitt played the part exactly as Gilliam wanted.
  • In the 24 hour Hitchcock Theater, Katheryn (Stowe) and James (Willis) are watching Vertigo (1958), then she transforms herself with a blonde wig and James saw her emerge within a red light. The scene perfectly match the scene where Kim Novak transforms herself as a blond and Scottie (Jimmy Stewart) saw her emerge within a green light. It can hear the same score written by Bernard Herrmann. Also Katherine wears the same coat as 'Kim Novak' wearing in the first part of Vertigo.

Thursday, September 17, 2009

#469: Fear and Loathing in Las Vegas (1998)

Director: Terry Gilliam
Cast: Johnny Depp & Benecio Del Toro

Sports journalist Raoul Duke and his lawyer Dr. Gonzo are on a trip. Pun intended. They’re on a business trip, heading to Las Vegas for the Mint 400, while they are completely wasted on hallucinogens. That’s really all you need to know about this film’s plot.

Johnny Depp’s performance as Duke is remarkably similar to his performance as Captain Jack Sparrow, sans dreads and a boat. Comparing the two, I prefer this much more. His movements are nearly identical in many scenes, which I think supports my views of him. He peaked in his performances just as he became a superstar, and since then has gone downhill, reusing earlier lesser-known works to keep himself a float. I am honestly interested in hearing other opinions on this. Also, I’m so sick of him pretending to be British. He’s a good actor as an American, too…

Many of the reviews I’ve read on the film mention how the film captures the essence of the drug-inducing society of the 1970’s, and how they came to be. Starting with a sequence of footage from Vietnam and protestors against Nixon’s warmongering, as well as a sequence from the 60’s, it shows that the hopeful youth of the previous decade has disappeared. Once the mid-70s hit, it was all about escapism.

I’m not so sure that the film hit home on this front. I think that the film did a great job of visualizing the highs and lows of a crazy drug trip in Vegas, but that’s just about it. The film doesn’t have any structure, and understandably so; how could it have structure when filmed as if the audience is partaking in the drugs? The attempt made to reason out the drug craze of the 70’s was lost on me.

I’m hesitant to give this film thumbs at all. I’m pretty much in agreement with Rotten Tomatoes on this one: 48%.

Fun Trivia (Stolen from IMDB):

  • Hunter S. Thompson himself shaved Johnny Depp's head. They were in Thompson's kitchen, Depp refused to look in a mirror, and Thompson wore a miner's hard hat.
  • During the early stages during the initial development hell to get the film made, Jack Nicholson and Marlon Brando were originally considered for the roles of Duke and Gonzo, and Nicholson was attached, but he, and Brando, both grew too old. Afterward, Dan Aykroyd and John Belushi were considered for the duo, but that fell apart when Belushi died. John Malkovich was later considered for the role of Duke, but he too grew too old. At one point John Cusack was almost cast, but then Hunter S. Thompson met Johnny Depp, and was convinced no one else could play him. Cusack had previously directed the play version of "Fear and Loathing", with his brother playing Duke.
  • According to Johnny Depp, the gorilla statue outside the Bazooko Circus, now "lives" in his front yard.
  • According to Terry Gilliam's commentary on the Criterion DVD, in the scene where Raoul and Gonzo raise havoc at the Debbie Reynolds concert, the voice heard in that scene that is supposed to be Reynolds singing actually IS Reynolds. Gilliam is friends with Carrie Fisher, Reynolds' daughter, who spoke to her mother about recording a couple lines for the movie, and Reynolds agreed.
Lastly - Happy 1 Month Anniversary, Blogger!