#405: Dirty Dancing (1987)

Director: Emile Ardolino

Cast: Jennifer Grey & Patrick Swayze

On a family vacation at a resort in the Catskills, Baby Houseman strays from her family when she hears the undulating sounds of Rock 'n Roll in an area for staff only. She'd never seen dancing like it, and her eyes are particularly struck by the professional dancer at the resort, Johnny. When Johnny's dance partner falls ill, she becomes Johnny's only hope for some of his gigs, though she can't dance for the life of her. He coaches her over the next few days, while their emotions grow more and more apparent to each other (though they were quite clear from the beginning of the film for the audience!).

The biggest problem with this film is predictability. Of course Baby's father will be against the idea of her being with the greasy-looking guy that has no future in law or medicine. Of course Baby will stay by his side no matter what. And of course, there will be a huge scene at the end in which she dances with Johnny in front of a crowd, and the two win over her father's heart.

What this film does have is some great dances. Baby's education in dance is thoroughly believable. Her starting steps are pretty awful, but not so awful that it looks staged. The audience learns with her some of the basics of ballroom dance, and by the end she's ready to be on Dancing With The Stars. Of course, Swayze's dancing is flawless.

Not much else to say. Mr. Swayze, you will be missed.

Fun Trivia (Stolen from IMDB):

• Voted #2 Must See Movie of all time by listeners of Capital FM in London.
• The film was re-released in 1997 solely due to a petition led by late-night talk show host Conan O'Brien in which he asked viewers to send letters calling for the film's re-release. When exhibitors finally agreed, O'Brien joked that he actually didn't like the movie all that much.
• In the scene where Johnny and Baby are practicing dancing, and she keeps laughing when he runs his arm down hers, it was not part of the scene, she was actually laughing and his frustration was genuine. They left it because it was effective. Her falling over in this scene was unplanned too.
• The lake practice scene was filmed at Lake Lure in the mountains of North Carolina in October. There are no close-ups because the actors were so cold that their lips were blue.

#406: Iron Man (2008)

Director: Jon Favreau

Cast: Robert Downey Jr., Gwyneth Paltrow & Jeff Bridges

Tony Stark is a genius, engineering all of the top weaponry used in the US military forces. And he's not even a nerd! When not working in his underground laboratory in his Malibu mansion, he's mackin' it with the ladies. This routine takes a major hit, however, when he is abducted by terrorists in Afghanistan. The terrorists demand that he builds one of his killer gadgets (in a literal sense). Instead, Stark secretly builds a suit of robotic armor with the aid of a fellow hostage. He escapes the cavern prison, but his armor is destroyed in the process. After his rescue, he builds another suit. When Stark learns that his company has been supplying the terrorists with weapons without his knowledge, Stark puts his new toy to good use, jetting to Afghanistan to disarm the enemy.

One moment stuck out to me in this movie more than anything, and it happens to be the very last line. So if you haven't see it, prepare yourself for a spoiler right off the bat. As Stark prepares for a press conference, his personal assistant and love interest Pepper Potts gives all the information Stark needs to know about his false alibi to keep his identity as the Iron Man a secret. When he goes out there, however, he gives up the pretense and says bluntly "I'm Iron Man."

This departs from every other comic hero that has been brought to the screen. Being so forward about it makes Stark way more bad-ass than any other superhero to date. While Batman and Spiderman continue their with their emo behavior, Superman is simply an alien who just wants to be a dork. And while the X-Men are publicly known, they are all assisting each other in gang-like fashion. Stark is all alone (Stark Naked to the elements?? Yuk yuk yuk...), and he simply doesn't give a damn.

Aside from that, the film is just a great time. While it can be classified as just-another-blockbuster, it was 100% bad ass.

Fun Trivia (Stolen from IMDB):

• The script was not completely prepared when filming began, since the filmmakers were more focused on the story and the action, so the dialogue was mostly ad-libbed throughout filming; Jon Favreau acknowledged this made the film feel more natural. Some scenes were shot with two cameras to capture lines improvised on the spot; Robert Downey Jr. would ask for many takes of one scene since he wanted to try something new.Gwyneth Paltrow, on the other hand, had a difficult time trying to match Downey with a suitable line, as she never knew what he would say.
• During the highway battle with Iron Monger, a building can be seen in the background with a Roxxon logo. In the Marvel Universe, Roxxon is a notorious conglomerate known for illegal activities, agents of which were responsible of the death of Stark's parents.
• According to Paul Bettany, he did not know which film he was working on; he merely did the job as a favor for Jon Favreau, whom he worked with on Wimbledon (2004).

#407: The Jungle Book (1967)

Director: Wolfgang Reitherman

Cast: Bruce Reitherman, Phil Harris & Sebastian Cabot

Mowgli was a boy brought up by a pack of wolves in the jungles of India, living peacefully among the animals until rumors begin that he is sought to be killed by the tiger Shere Khan. The panther Bagheera attempts to return Mowgli to the human village, but on the way Mowgli befriends the carefree bear, Baloo. Mowgli is determined to continue his life in the jungle, despite his encounters with Kaa, the malicious python, as well as King Louie and the apes who are determined to learn the ways of man from Mowgli.

This film has a huge historical significance. It was the last film produced by Walt Disney himself, and was released after his death. Upon his death, the future of the animation division of Disney Studios was in jeopardy, and only the success of The Jungle Book the animators that they wouldn't be laid off.

Another historically significant bit of information on The Jungle Book is the animation process itself. The process of xerography (basically, Xeroxing images instead of hand-drawing frame by frame) was first used in 101 Dalmatians (1961) out of sheer necessity due to the number of images of dalmatians needed. The process was continued to be used throughout the 60's, which was terrible news for the animation crew at the studio. This film began combining both xerography and traditional animation, bringing back a more classic visual aspect to the film than some other Disney films of the time.

The characters of the film are enormously representative of the lifestyles and viewpoints of the 1960's. There's Bagheera, the straight-laced and fatherly character; Baloo, the beatnik bear who can't live as plainly as Bagheera; there's the vultures, who clearly represent The Beatles (and were originally planned to be voiced by them - see the Trivia section below). And then... there's the apes, a clearly racist entry into the character list, which I'll describe more in a moment.

The soundtrack has some of Disney's best... and some of Disney's worst. The most memorable song of the film is "Bear Necessities", which went on to be nominated for Best Song at the Oscars (but lost out to "Talk to the Animals" from Doctor Dolittle). On the other end of the spectrum is Louis Prima's "I Wanna Be Like You". The song is sung by the King of the Apes who hopes to learn how to create fire with the aid of Mowgli. It's a sad thought that Disney was so certain that African-Americans would never be equal to whites that he set it into his final film in song. The song is actually featured on a Cracked.com article titled The 9 Most Racist Disney Characters.

Certainly an interesting film to look back on for the first time since childhood, though not one of Disney's best as far as I'm concerned.

Fun Trivia (Stolen from IMDB):

• Her role as Winifred the Elephant (Colonel Hathi's mate) was the last film role for Verna Felton, before her death in December 1966. Her first role in an animated Disney film was also that of an elephant: she was The Elephant Matriarch in Dumbo (1941).
• According to Elsie Kipling Baimbridge, Rudyard Kipling's daughter, "Mowgli" is pronounced "MAU-glee", not "MOH-glee". She reportedly never forgave Walt Disney for the gaffe.
• The xerographic system, which had been used since One Hundred and One Dalmatians (1961), was further refined to combine both Xeroxed cels with hand inked details. For example, while the basic animation on the village girl at the end of the movie was with Xeroxed cels, her mouth was inked by hand. The backgrounds also moved back towards the more traditional look of earlier films.
• The Vultures were originally going to be voiced by The Beatles. The band's manager, Brian Epstein, approached the Disney studios about having The Beatles appear in the film, and Disney had his animators create the Vultures specifically to be voiced by the band. But when Epstein took the idea to the Beatles, John Lennon vetoed the idea, and told Epstein to tell Disney he should hire Elvis Presley instead. The look of The Vultures, with their mop-top haircuts and Liverpool voices, are a homage to The Beatles.
• Kaa's song "Trust in me" was originally written for Mary Poppins (1964) as "Land of sand" but not used.

#408: Zelig (1983)

Director: Woody Allen

Cast: Woody Allen & Mia Farrow

Have you ever known somebody who changes their personality to blend in with different cliques? Well, you've never met somebody who does it as well as Leonard Zelig. Not only does Zelig put on the personality and speech of the people he associates with, but his physical appearance morphs into something similar as well. Physicians are stumped by his abnormality, but Dr. Eudora Nesbitt Fletcher is certain that the base of his ability is psychological.

I'll start with the praise. Woody Allen has always somehow walked a line between being incredibly ahead of his time while presenting his material from the Old Days (-- at least this has been true until his more recent films, which have departed from the time period he used to treasure so much). What brings him ahead of the rest of the crowd is twofold in Zelig.

As always, he has come up with some ridiculous scenarios that somehow wouldn't be all that surprising in the real world. For example, Zelig's ability to blend in with any crowd is immediately exploited by advertising agencies. The second, and most obvious way he is ahead of his time is his use of historical footage of famous characters and perfectly places his own image into the scene. This same technique was used about a decade later in Forrest Gump, and the technique even then was considered remarkable. But Forrest Gump didn't place the most blatantly Jewish film icon into a clip from a speech by Hitler.

Unfortunately, I've found that Zelig has one horrible problem. Woody found one great joke.. and dragged it on for an entire film without really going anywhere. This brings its greatness down a notch, leaving it somewhere between one of his classics like Radio Days and - oh, I don't know - Corky Romano. Okay, that was harsh, but you get the idea.

I give it a B.

Fun Trivia (Stolen from IMDB):

• Mae Questel, the voice of Betty Boop from 1931 to 1989 is the voice of Helen Kanesinging "Chameleon Days".
• To create authenticity, the production used actual lenses, cameras and sound equipment from the 1920s, and used the exact same lighting that would have been done. In addition, 'Gordon Willis' took the exposed negatives to the shower, and stomped on them.
• In 2007, Italian psychologists discovered a rare form of brain damage which affects its victims much like Zelig's condition (without, of course, the accompanying physical transformations). Researcher Giovannina Conchiglia and associates have proposed the name "Zelig-like Syndrome" for the disorder, because of the parallels to the film.

#409: Men in Black (1997)

Director: Barry Sonnenfeld

Cast: Will Smith, Tommy Lee Jones & Linda Fiorentino

NYPD Agent James Darrel Edwards III encounters a very odd person of interest who warns him that the world will end. Soon after, while being interrogated about the incident, a man named K walks into his cell, changing his life as he knows it. He is inducted into the organization called the Men in Black. His new job is to keep secret the knowledge of extraterrestrial life in the USA, particularly in Manhattan. The job gets risky when a farmer from upstate is killed by an alien 'bug', and his body is used as a disguise in his efforts to destroy the universe.

The special effects in this flick are great, partially because of how absolutely ridiculous they got. The designers of the aliens were not asked to create one monster, but loads of them in various shapes and sizes, and many of them in ludicrous disguises. Sonnenfeld clearly had a ball finding as much about New York to poke fun at, which really makes this film a gem.

The plot is a little bit fuzzy, but let's face it: this is a summer blockbuster, not a Best Film nominee. The acting is on the good side - nothing phenomenal, due to its lack of depth. But, Will Smith is at his best here, Tommy Lee Jones puts on a great straight-face with a touch of sadness towards the end, and Linda Fiorentino has a similar role to her leading spot in Dogma, Bethany. It's unfortunate that Fiorentino's career never really took hold, apparently due to a lack of variation in her character - but she puts on a great business-like, cynical, independent woman.

Watch it for a good laugh and a good dose of action.

Fun Trivia (Stolen from IMDB):

• During the shoot, there was a script revision which changed the role of the 'Universe' in the movie. Fortunately, some creative tricks could be used to avoid having to re-shoot several scenes. For instance, the dialogue between Rosenberg and the tall man in the diner was originally in English (and they were adversaries), but their lines were simply dubbed in an alien language that could be subtitled with the desired explanation. New lines were also written for Frank, the talking dog, whose scenes had to go through post-production anyway. Director Barry Sonnenfeld could be heard on the DVD bonus material jokingly advising fellow directors to include a talking dog into every movie, which makes it easy to change the plot while filming.
• After Linda Fiorentino "won" her role in Men in Black in a poker game with director Barry Sonnenfeld, he warned her that she would not be in any nude scenes.
• The MIB headquarters are located in the ventilation tower of the Brooklyn-Battery Tunnel, which connects Manhattan with Brooklyn.
• David Schwimmer was asked to play the role of J before Will Smith, but turned it down.

#410: A Hard Day's Night (1964)

Director: Richard Lester

Cast: John Lennon, Paul McCartney, George Harrison & Ringo Starr

Beatlemania has spread across the globe in 1964, and the unpretentious and would-be low-key members of the band are faced with crazed fans and reporters asking inane questions, as well as performances to put on, and downtime in between. All the while, Paul is asked to watch over his grandfather, whose senility brings him through adventures of his own.

The best way I can pseudo-analyze this one is by comparing it to my previous post on Elvis's Jailhouse Rock (1957). Only seven years had passed, and the change is astonishing. Elvis did not play himself, but instead took on the character Vince Everett. His personality today would be easily defined as emo, with an aggressive behavior and a sad outlook on life. He discovers his own unique way of singing, bringing him to worldwide fame.

And then, only a few years later, the Beatles come along. They are all-out joyful, and their voices are completely natural. Their singing doesn't come across as pretentious at all - they are practically sending an invitation to you to sing along, and anyone can do it. While Elvis was trained how to answer questions from the press, the Beatles were 100% original in their speech.

As far as entertainment value, I wasn't enthralled. Though it of course was all comedic, the Beatles are such a monument in music history that I can't help but watch this film as anything but a historical gem.

Fun Trivia (Stolen from IMDB):

• The people chasing The Beatles into the train at the beginning of the film are real fans.
• When shooting began, The Beatles had not yet joined the British actor's union. They were hastily inducted on the set with Wilfrid Brambellproposing their membership, and Norman Rossington seconding the motion.
• Ringo was praised for his solo scene at the riverside as a forlorn soul. However, his expression in that scene was actually the result of being severely hung over after a previous night of heavy drinking.
• The constant mention of Paul's grandfather being "very clean" are references to actor Wilfrid Brambell playing a rag and bone man in"Steptoe and Son" (1962), featuring the catch-phrase, "You dirty old man." "Steptoe and Son" (1962) was remade in the USA as "Sanford and Son" (1972).
• The first movie ever put out on DVD, it was issued as a single disc. It was later reissued as a two-disc DVD.

#411: Spiderman 2 (2004)

Director: Sam Raimi

Cast: Tobey Maguire, Kirsten Dunst, James Franco & Alfred Molina

Spiderman returns to the big screen, swinging into combat against a machine-gone-wild, transforming inventor Dr. Otto Octavius into the evil Doc Ock. Meanwhile, Pete continues to struggle in his relationships with the lovely Mary Jane Watson, as well as continuing to conceal the fact that he had killed the father of his best friend, Harry.

Sorry it's taken me so long to write this one, but there really isn't a whole lot to say about these blockbusters. The fight sequences are great - but nowadays, most are, so that's not a whole lot to say about a film.

The acting is mediocre - Tobey isn't at his finest here, Dunst is at her average (which is equivalent to her best, from what I've seen), and Franco is fine. And I'm still surprised that Molina took this role - he seems to have been making some fine films until this one came out, and I haven't really seen him since.

But to top it all off, Spiderman is unmasked to the public in this film. Peter seems not to care whatsoever if he's found out, standing on top of buildings with his mask off, saving runaway trains with his mask off... it just doesn't fit with the story. Lame lame lame.

Eh, it's only a film to see on the big screen, nothing more.

Fun Trivia (Stolen from IMDB):

• Tobey Maguire's participation was in doubt at one point because he was suffering severe back pains. Jake Gyllenhaal, was lined up to play Spider-Man and had already begun preparation, but Maguire decided to take part after all. However, according to the DVD commentary, the "My back!" joke after Peter falls from the roof was purely coincidental, as it was written into the script before Maguire's problem arose.
• Danny Elfman, who did the film score (for this and several other films by Sam Raimi) had some sort of falling out with the director during the course of this film, and has been quoted saying "To see such a profound negative change in a human being was almost enough to make me feel like I didn't want to make films anymore." He has stated that they'll never work together again.
• The phone number on Peter's helmet for Joe's Pizzeria is to a real NY Pizza place. 212-366-1182. Evidently they love the publicity.

#412: Heathers (1988)

Director: Michael Lehmann

Cast: Winona Ryder, Christian Slater, Shannen Doherty, Lisanne Falk & Kim Walker

Heather, Heather, Veronica and Heather are the girls at Westerburg High that all the guys want to be with and all the girls want to be. Except, one of them doesn't want to be a part of their clique anymore. When Veronica meets J.D., a dangerous and mysterious bad-ass lurking in the corner of the cafeteria, he convinces her to kill the lead Heather and make it look like a suicide. Afterwards, the murders posed as suicides continue as the social hierarchy of the school adapts to the changes being made.

This... was weird. There were a few hysterical lines in the script, which I'll give a few examples of later, but aside from that, the overall atmosphere in the film is kind of disturbing. Maybe I'm not well-adjusted to watching dark comedies, but there are a few moments in the film when I'm genuinely freaked out.

I also didn't think much of any of the acting. Particularly of Christian Slater, who seemed to be nearly mimicking Jack Nicholson (who he credits as his 'inspiration' for the role). I said this to my sister while watching, and I'll say it again: Christian Slater is one of the strangest teen icons to grace the silver screen.

The appeal for this film is its uniqueness. Filmmakers are afraid to make dark comedies with such disturbing material if they're aimed at younger audiences. Lehmann not only mocks high school drama, but he mocks high school suicides and bomb threats.

I'll just conclude by stating bluntly, in case you haven't figured it out, I wasn't enthralled. But before I go, some examples of fine script-writing from the film.

Veronica Sawyer: All we want is to be treated like human beings, not to be experimented on like guinea pigs or patronized like bunny rabbits.
Veronica's Dad: I don't patronize bunny rabbits.

Officer Milner: My God, suicide. Why?
Officer McCord: [holds up bottle of mineral water found next to one of the bodies] Does *this* answer your question?
Officer Milner: [appalled] Oh man! They were fags?

J.D.: [after killing Heather] What are we gonna tell the cops? "Fuck it if she can't take a joke, Sarge".
Veronica Sawyer: The cops? This is my life. Oh, my God. I'll have to send my S.A.T. scores to San Quentin instead of Stanford.

Fun Trivia (Stolen from IMDB)

• At the beginning of the film Heather Chandler asks Heather Duke "did you have a brain tumor for breakfast?" The actress who played Heather Chandler, Kim Walker later died of a brain tumor.
• Mid-1990's-era ska/punk band Edna's Goldfish named their song "Veronica Sawyer" after the main character in Heathers. The song's theme of alienation among suburban teenagers reflects the themes of the movie. Reel Big Fish covered the song on their 2009 album "Fame, Fortune and Fornication."
• Two stars of the movie died at an early age: Jeremy Applegate (Peter Dawson, whose character prays he will never commit suicide) committed suicide with a shotgun on March 23, 2000, and Kim Walker (Heather Chandler, who had the line "Did you have a brain tumor for breakfast?") died of a brain tumor on March 6, 2001.
• SPOILER: J.D. tricks Veronica into killing the jocks by claiming to use "ich luge" bullets, which he claims only pierce the skin. "Ich lüge" is German for "I'm lying".

#413: Finding Nemo (2003)

Directors: Andrew Stanton & Lee Unkrich
Cast: Albert Brooks, Ellen DeGeneres & Alexander Gould

Marlin is a father who is extremely cautious over the safety of his son, Nemo, after Nemo’s mother was attacked while expecting multiple children. Nemo was the only one to survive the attack. On Nemo’s first day of school, Marlin anxiously watches the class head off on a field trip. After discovering that the class is exploring the dangerous ‘drop-off’, Marlin chases after them, only to witness Nemo get kidnapped. With the aid of Dory, who suffers short-term memory loss, Marlin hunts down the kidnappers and plans to save Nemo before he’s flushed down the toilet.

Oh, did I not mention? Nemo’s a fish.

Needless to say, this film covers some pretty intense material for a kids movie. With Marlin’s back story being given immediately is shocking for adults let alone kids, and the emotional roller coaster he endures is remarkably deep. Not gonna lie, this is the one cartoon that can give me shivers.

The animation for Finding Nemo surpasses all of Pixar’s films to date. That’s right, even WALL-E. There was just so much to work with, from the anatomy of many species of underwater life to the light coming through the water. The opening scenes are absolutely dazzling, and the quality never fails throughout.

The voice acting is also extraordinary. Albert Brooks, though he has admitted that he didn’t enjoy making this film, gives a wonderful tenderness to Marlin. But the star voice actor of the film, no doubt, is Ellen DeGeneres. Dory could have been one of the most irritating characters of all times, but Ellen just made her fun, care-free, and extremely loving.

And the music! Thomas Newman at his best. It’s unfortunate that this Newman has been put to the side for so many years to make room for his cousin Randy, though the tides are turning, with such huge titles under his belt as WALL-E, Revolutionary Road, Jarhead, Cinderella Man and The Good German.

Accessible for adults, kids, and everything in between. Absolutely wonderful.

Fun Trivia (Stolen from IMDB):

• The seagulls ("Mine, mine") were modeled after the penguins in the claymation Wallace and Gromit short Wallace & Gromit in The Wrong Trousers (1993).
• Afraid that kids would try releasing their pet fish by flushing them down a drain, a company that manufactures equipment used by water filtration and sewage treatment plants released a warning the Thursday after the film came out saying that, even though drains do eventually reach the ocean, before it got there the water would go through equipment which breaks down solids, and went on to say that in real life the movie would more appropriately be called "Grinding Nemo".
• As "research" the key figures of the production crew had to get SCUBA certification and go to the Great Barrier Reef on the insistence of John Lasseter.
• 'Bruce' the great white shark was named after 'Bruce' the animatronic great white that was used in making the movie Jaws (1975).

#414: The Double Life of Veronique (1991)

Director: Krzysztof Kieslowski

Cast: Irène Jacob

(Sorry about the bad quality on the trailer, it's the only version I could find that doesn't suck.)

Have you ever felt like you somehow aren't quite complete? And I don't mean that in the sense of the search for a soulmate. I mean, you felt like you yourself are somehow in two different places at once. Well, Véronique of Paris has felt that way her whole life, and Weronika of Krakow would be able to tell her why. Weronika was walking along Market Square in Krakow when she sees herself boarding a bus full of tourists.

I wish I could give more to the synopsis. This movie is brilliant, but there's really no way to put it into words. Even though I could say that not much happens in the plot, I can't deny that my eyes were glued to the TV. The feeling evoked from the film is absolutely haunting - and that's a word I use sparsely ( -- it's also one of my favorite words!).

Through Irène Jacob's performance, the audience is put into a constant state of unease. We are immediately in league with Véronique and can sense every nuance of her emotional state, and everyone else is a mystery. There are even characters that we see multiple times, watching Véronique, and we never learn who it is that's watching her.

I would normally be ashamed of myself to leave the post here, but reading other reviews, I know that this is one of the hardest films to write about. I could sit here for weeks trying to come up with something without success. All I can say is, this is a beautiful movie that instills feelings in me that no other film has. Will certainly be looking up more of Kieslowski's works.

Fun Trivia (Stolen from IMDB):

• Kieslowski originally wanted Andie MacDowell to play Veronique.
• The text sung by Weronika in the Concert is actually the beginning of the second Chant of Dante's Paradiso: "O voi che siete in piccioletta barca, desiderosi d'ascoltar, seguiti dietro al mio legno che cantando varca, Non vi mettete in pelago, ché forse, perdendo me, rimarreste smarriti. L'acqua ch'io prendo giá mai non si corse; Minerva spira è conducemi Appollo, è nove Muse mi dimostran l'Orse." Dante, Paradiso, II, 1-9.

#415: Dawn of the Dead (1978)

Director: George A. Romero

Cast: David Emge, Ken Foree, Gaylen Ross & Scott H Reiniger

Soon after the events depicted in Night of the Living Dead, pandemonium has spread across the country. At a television station in Philadelphia, reporters have few facts to report on the cause of the reanimation of the dead. The traffic helicopter pilot, Stephen, decides to hijack his chopper and flee the city with his girlfriend, Francine. They soon encounter two SWAT team members, Roger and Peter, who are clearing out tenement buildings of the undead whose former families kept their bodies in the basement. The four find refuge in a barricaded shopping mall, awaiting for the day when it is safe to go leave the building.

This movie's got nothing on the original Night of the Living Dead. Romero toys with his work, making everything seem a-okay until somebody's head is blown off. It's never quite clear how comedic he intended the film to be, and it doesn't seem all that serious at all. Comparing this to Night of the Living Dead, where there is absolutely no hope left for the survivors, this film was a let down to me.

Only mediocre acting, horrible choices of music (which never help depict what should be dread), not such a great script... the only good thing was the depiction of disembowelment. I promise, my review (which I wrote last night) for Night of the Living Dead will be more positive.

Fun Trivia (Stolen from IMDB):

• Tom Savini chose a friend to play the helicopter zombie because he was notorious for having a low forehead.
• Tom Savini used the same dummy throughout the course of filming. During that time it was blown up, burnt, shot, and beaten, among other things.
• While writing the script for Night of the Living Dead (1968), George A. Romero and John A. Russo contemplated how they should have the zombies destroyed. Co-star and makeup artist Marilyn Eastman joked that they could throw pies into their faces. This is undoubtedly the basis for the pie fight scene in this film.
• Director George A. Romero has said several times that David Emge's zombie walk is his favorite out of all the Dead movies. He has even gone on to go on to say that the performance is worthy of Lon Chaney.
• SPOILER: Real cow intestines were used in the scene where Sledge (Taso N. Stavrakis) gets his guts ripped out. Tom Savini said that he lived near a slaughterhouse and that's how he got the idea to do the effect.